
Projects
bones fragile bones fractured (2024)
Photos by Drew Lewis, Lua Borges, and Rachel Fernandez
DePaul Art Museum | July 27 & 28th, 2024
Self-produced 60-minute work in collaboration with Milo Sachse-Hofheimer. Expanded from our first iteration of bones fragile (March 2024).
Thanks to Eli Schmitt, DPAM, Lua Borges, Sophie Allen, and the Old Town School of Folk Music for support.
bones fragile bones fractured is an hour-long performance work using movement and live vocal looping to explore themes of care, lineage, and physical memory. We consider objects as support, probing what it means to tend to someone else or one's own body. Throughout the course of this piece, we build and undo our visual environment of cords, bubble wrap, mics, a loop pedal, and gauze. Our layered vocalizations interspersed with live and recorded text become the sonic landscape through which we interact. Microphones and cords attach to our bodies (and the body of the space) like extra organs; at one point we pass our heart—a pedal—between us. All the while our bones remain delicate, as if wrapped in styrofoam and labeled, handle with care.

Graphic by Eli Schmitt

Photo by Amaya Peña
bones fragile (2024)
Photos by Ricardo E. Adame
Steppenwolf 1700 Theatre | March 28-30th, 2024
30-minute work presented by the LookOut Series in a shared bill with Mitsu Salmon. The weekend was part of MERGE: Program One, curated by Helen Lee.
Created & Performed by Hannah Marcus and Milo Sachse-Hofheimer
Dramaturgical support by Sophie Allen
Lighting design & technical support by Matthew Chapman
Produced by Lauren Steinberg and Patrick Zakem
​Costuming courtesy of Fever Dream Vintage
Materials: pedal (1), microphone (2), cable (4), amplifier (2), body (2)​​​​​​ ​​
Since I was a child, I’ve been told that brittle bones run in my family, that my body is fragile and can easily be broken. I hug my grandma and notice how my body makes space around her; I could crush her in an instant, so I hug with the softness of a feather.​
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bones fragile is a gift for my living and deceased family members. Over the process of developing this work, Milo and I thought about our grandparents and their deteriorating bodies, our own experiences with injury, a tree wrapped in bubble wrap, and collisions beyond the physical that reverberate within us. ​​


Graphics courtesy of Steppenwolf Theatre; Headshot by William Frederking
Blanket of my future skin (2022)
Photos by Ricardo E. Adame
Elastic Arts | November 4th, 2022
Presented through J e l l o Performance Series
Created and performed by Hannah Marcus
Images by Chang-Ching Su
Music: Excerpts from "My Life" and "My Lady" by Patricia Taxxon
Technical support by Sarah Stearn and Tuli Bera
View work here


Collapse of an Anchor (2021)
Photos by Kimberly Baker
​Expand Community Arts Works in Progress Showing | August 28th, 2021 | Glenview, IL
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Summer Shorts presented by The Rooted Space & Lawson Dance Theatre | September 3rd, 2021 | Northcenter Town Square
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Duet produced through Dovetail's 3for3 Creative Residency.
​Created & Performed by Hannah Marcus and Sophie Allen
​​​Music: "Retaliation" by Nazar; "Notjustmoreidlechatter" by Paul Lansky & Hannah MacKay
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View excerpt here​​​​​


Rupt (2021)
​Dance film produced in collaboration with Aislinn Bailie
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Direction, choreography, and editing by Hannah Marcus
​Videography by Rowan Janusiak and Aislinn Bailie
Performed by Alana Packo and Hannah Marcus
​​​Music: "Duo Sonata" by Sofia Gubaidulina (1977)
Performed by Aislinn Bailie and Bryce Richardson, bassoon
​Sound recording, mixing, and mastering by SlyPup Productions
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View work here​​​​​​​
bits of self, at once, in fragments (2021)


A live performance and digital media work presented on Zoom between a bedroom in Ann Arbor, MI and a basement in Chicago, IL. ​
Created for Liminal Beings, a digital exhibition through the Socially Distant Artist Residency program. The exhibition investigates introspection, loneliness, solitude, and social (dis)connection experienced by the Artists in Residence.​
​"When we are neither here nor there, we are in the ambiguity of liminal space. Liminality is a window between presence and absence, past and future, visible and unseen, call and response. Changes have come thick and fast over the past year, drastically shifting perspectives, routines and social roles. Physical isolation has closed many doors and connections, while virtual communities have created and opened up others. Our self-awareness and collective conscience hangs in between expansion and contraction. How do we navigate the threshold between what falls away and what we move towards?"​
Created by Akari Komura (sound editing, performance) and Hannah Marcus (movement, text, performance).​
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Two performers, three cameras, one handheld mirror.
Video | 7 min. 14 sec.
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Staging Place (2020)
Photos by Christine Darragh
​Staging Place is a live-feed performance project between Ypsilanti and Ann Arbor aiming to protect the placeness of live performance while using a digital platform to amplify the analog. We used the digital as a tool to visualize space, broadcast live pop-up performances, and build connections between neighbors. This project took shape over the span of three months with a team of four architectural designers, three musicians/composers, and one dancer/choreographer.
​​August 13th, 2020​​
August 19th, 2020​​
August 27th, 2020​​
Performance in Riverside Park (Ypsilanti) | Projection in Depot Town alleyway (Ypsilanti)
Performance in Graffiti Alley (Ann Arbor) | Projection on Ypsilanti District Library
Performance in Depot Town (Ypsilanti) | Projection in Kerrytown Farmer's Market (Ann Arbor)
Interdisciplinary Team Members: Aislinn Bailie, Christine Darragh, Sheena Hui, Hannah Kirkpatrick, Akari Komura, Hannah Marcus, Waylon Richmond, Karina Tirado
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Mentorship by Charli Brissey, Dawn Gilpin, Rebecca Smith
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Performers: Hannah Marcus, Alana Packo, Elisandra Rosario, Bryce Richardson, Jane Koelsch, Danielle Gonzalez, Nyci Ask, Megan Bascom, Melissa Brading, Chandler Lach
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Made possible by a grant through Sonic Scenographies, a team challenge created by the Alfred A Taubman College of Architecture & Urban Planning, the School of Music, Theatre & Dance, and ArtsEngine
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Full Throttle (2020)
Choreography, filming, and editing by Hannah Marcus
​Original music by Joey Fortino
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Supported in part by Arts at Michigan and the School of Music, Theatre & Dance Meta Weiser EXCEL Fund
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View work here​​​​​​​​
It All Made Sense 'Til We Dug To The Bottom (2020)


​Betty Pease Studio Theater
Choreography and Text by Hannah Marcus
Performed by Sally Butin, Olivia Johnson, Alana Packo, Ari Stadler, Ariel Vidrio
Sound and Scenic Design by Matias Vilaplana
​Music: "Melancholia II" by William Basinski; "Always On My Mind" by Ane Brun
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Supported in part by Arts at Michigan and the School of Music, Theatre & Dance Meta Weiser EXCEL Fund
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View work here​​​​​​​​
Petrochemical Paradise (2020)


Ann Arbor, MI
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Choreography, Filming, and Editing by Hannah Marcus
Original music by Tessa Fornari, Maya Johnson, and Christopher Walker
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View work here​​​​​​​​​
The Very Thought of You (2019)


Ann Arbor, MI
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Created and Performed by Sofia Carbonara and Hannah Marcus
Music: "The Very Thought of You" by Nat King Cole; Edited by Sofia Carbonara
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View excerpts here​​​​​​​​​
off frame (2019)


The Place, London
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Created and Performed by Hannah Marcus and Veera Vanhanen
Music: "Johnny And Luther" by The Boy Lucas
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View excerpts here​​​​​​​​​